Blue Star - Ritual - Music is Here!!
Blue Star - Ritual. Online music store. Real CD audio quality on the web. Choose your own format of download: ... Latin . Metal. New Age. Pop. Rock. Spoken ...
http://musicishere.com/artists/Blue_Star/Ritual
SalsaRican presents... Salsa Music & Dancing!
... this! Puerto Rico's most famous past-time... SALSA MUSIC . Get reviews, interviews, events, news, boards and lots ... Stars are considered Latin music ...
http://www.salsarican.com/celia.htm
WNYC - Events - Latin Music Collectors Festival
STAR initiative. Free Stuff. 2 for 1 Tickets. About. About WNYC. People @ WNYC. Press Room ... '70s music , and a screening of the film "Our Latin Thing. ...
http://www.wnyc.org/events/67205
Afro-Caribbean Rhythms for the Drum Set - Sheet Music Book
Order the Sheet Music Book for Afro-Caribbean Rhythms for the Drum Set online ... text and an authentic recording performed by a band of Latin music all- stars . ...
http://www.musicnotes.com/sheetmusic/book.asp?ppn=BKWB0633B
Juan Luis Guerra: Official Site: News, Music , Lyrics, Photos, Videos
... Guerra are part of an all- star lineup of Latin acts set to perform free concerts ... Latin Grammy winner Juan Luis Guerra headlined Europe's biggest Latin ...
http://www.juanluisguerra.net/portal/hgxpp001.aspx?49,1,3,O,E,0,MNU;E;1;1;MNU;,
LPs Latin Music
LPs Latin Music . click here for CDs. ARTIST TITLE GRADING/PRESSING US$ DATE LABEL CODE ... azucena maizani buenos aires canta + bra 4,00 62/-- star stlp80817 ...
http://www.faunus.com.br/Catalogue/LPs_Latin_Music.htm
Election.KOB.com - Latin artists support Obama in music video
Albuquerque, Santa Fe, Roswell, Farmington and New Mexico news and weather ... More than 20 stars from the Latin music and film community released a Spanish ...
http://election.kob.com/article/stories/S460289.shtml?cat=10574
WEA Corp. Announces Distribution Agreement With Latin Music Label Union ...
... Distribute Releases From Union's Latin Stars , Juan Fernando Velasco and ... music titles from Union Records' roster of artists, including Latin stars Juan ...
http://money.cnn.com/news/newsfeeds/articles/marketwire/06161318.htm
The Latin Jazz Corner " Blog Archive " Salsa Meets Jazz at the Village Gate
In the 60's, radio DJ and Latin music advocate Symphony Sid hosted a regular ... impression were the Alegre All- Star (and later Tico All- Star ) Descarga sessions. ...
http://www.chipboaz.com/blog/2007/06/06/salsa-meets-jazz-at-the-village-gate/
AMERICAN EXPRESS CONCERTS UNDER THE STARS FEATURES THE LATIN MUSIC AND ...
... EXPRESS CONCERTS UNDER THE STARS FEATURES THE LATIN MUSIC AND MOVES OF TITO PUENTE JR. ... dance chart and earned a Latin Music Award for "Best Video of ...
http://www.scottsdaleperformingarts.org/pr.php?id=270
Wednesday, August 20, 2008
latin music star
Dance Sport, Exercise and Health
Dance sport is set to become an Olympic event. Personally I am not in favor of this. Not for a moment would I dispute the fact that dancers have considerable athletic prowess. Nonetheless, I feel that all Olympic events should be decided on technical and verifiable rules and regulations. In my personal opinion no Olympic event should have an aesthetic and therefore subjective element.
That said, I love dance sport. Like millions of other people I avidly watch the TV shows, such as "Dancing with the Stars" and "So You Think You Can Dance" in which it features.
Dance sport views dance as a sporting activity. A man and a woman participate as a couple. There are also team events. Judging is based on technique, use of floor space and artistic interpretation of the music. Originally this dance form developed from competitive International Style. The remit has been widened to include any internationally recognized dance style which is sport orientated.
International Style Dance sport comprises:a Standard Section, a Latin American section,a Ten Dance section consisting of 5 standard and 5 Latin dances, and a Rock 'n' Roll Section.
Dance sport is performed at both professional and amateur levels. Amateur competition levels are designated by the letters ABCDE, E being the lowest with A the highest. Some countries have an international class S. Class C dancers are only allowed to perform dance steps from the syllabus.
Dancers are liable to problems such as stress fractures for example. Ballroom dancers cannot avoid putting great strain on the second metatarsal bone.This is the bone in the middle of the foot next to the big toe. The rise and fall of slower dances such as the foxtrot and waltz puts great strain on this bone.
Putting thins right may involve a cast and rest will almost certainly be necessary. It may be three months or so before competition and flat out dancing is possible.
Training is intense.Often dancers will practice five times a week for hours on end. The emphasis on appearance by some teachers has had dire effects on certain sensitive dancers. There are accounts of girls being told that they are overweight and then losing as much as 42 lbs in weight, developing anorexia with it's attendant hair loss, depression, cessation of periods and sleep disruption. But some of these girls have nonetheless been able to continue dancing and have used this activity as a means of self-expression and escape from depression.
Dance as a means of overcoming physical and mental health problems is well documented. I have heard the story of a man with Scoliosis. This is a condition where the spine is curved and twisted. It leads to the rib cage affecting the heart and lungs. Some of the symptoms of the condition are backache, shortness of breath, digestive and mobility problems. In spite of the pain this man loved dance sport.His wife was also his dancing partner.
Many other dancers did not understand this man's physical problems and were annoyed when he got in their way, bumped into them or when he and his partner tripped and fell. Teachers were also not necessarily understanding and sympathetic. It was very difficult for the man to assume certain positions. Both he and his wife often ended up with sprained ankles and grazed knees. Despite all of these difficulties he found that dancing helped to maintain his posture and reduce his symptoms.
After twenty years this enormously courageous man went to the United States to undergo a treatment new at that time. As a resullt of not being able to take part in dance sport both the man and his wife became extremely depressed. He was made even unhappier by the knowledge that dancing was not only his wife's form of exercise but was also her principal hobby.
Two years after the treatment they were able to start dancing again. Gradually they improved with practice. They even found that some things, such as the promenade steps had become easier due to improved posture and the rotational correction of his spine brought about by the treatment.
After four months of lessons this man and his wife entered their very first Senior Competition and gained 7th place: a tremendous achievement. They now intend to go on dancing as long as they can.
There is also a report written by a woman injured in the Bosnian War. She was wounded in the upper left leg and some nerves were irreparably damaged. She is now unable to tense her left foot, in fact she has no feeling at all in the foot. But she is working very hard and is determined to be a great dancer and find a way around her difficulties.
Those people who are relying on exercise as a protection against heart attack should think again. People have been known to have heart attacks while dancing. Good health and lessening the risk of heart attack and stroke has a second factor: diet. The diet must be balanced - not too much of any one food group. We have all heard this a thousand times. We may understand on one level the essential value of exercise, and diet to good health. Nevertheless, food habits are amongst the most difficult to alter. Perseverance really does bring rewards.
There is no doubt that dance sport is a healthy means of exercise, self-expression and the competitive spirit. Like any form of sport or exercise it is important not to over stress the body. Over stressing the body leads to the exact opposite of what one if trying to achieve.
Dance in Our Footsteps is dedicated to Instructional Dance dvds, cds, videos, books, gifts, costumes and everything connected to Dance and Health..
latin music videolatin online radio
recordonline.com - The Times Herald-Record, serving New York's Hudson ...
WBGO. LATIN . La Mega. La Ley. Romance 106. METAL. Snake Net Metal ... PAID ONLINE RADIO SERVICES. Sirius. XM. SUBMIT A RADIO STATION. What are you looking for? ...
http://www.recordonline.com/apps/pbcs.dll/section?Category=ENTERTAIN21
Latin America
Books on Latin America. more. Buy It Online . Amazon > Booksense.com > Powells.com > ... Listen to her on the radio and get a copy of the book signed at a bookstore on ...
http://www.nationbooks.org/subject/latin_america
Townhall.com::Talk Radio Online :: Radio Show
Talk Radio : Bill Bennett Mike Gallagher Dennis Prager Michael Medved Hugh Hewitt ... To quote the Latin , he is too "smaltzy". Email It | Print It | Flag as Offensive ...
http://www.townhall.com/TalkRadio/Show.aspx?RadioShowId=3&ContentGuid=cf47c7cf-d85b-486a-af31-950cb51e2960&mode=1&comments=true
3kStatic: Do You Transmit?
Chillcast Radio . downtempo, electronic/dance, alternative. CD 64k ... pop, latin , hip-hop/rap. CD 64k. Lo mejor en Pop, Rock y Regetton - Playlist: ...
http://www.3kstatic.com/radio.htm
Solo Sabor
Online Latin Artist & Music Magazine ... Super Estrella 107.1 FM [ Latin Radio ] Los Angeles, California. Mas FM 90.7 FM [Reggaeton Radio ] ...
http://www.solosabor.com/solosabor/
NPR Online - National Public Radio
Danmark You listen can to BBC radio online , AMFM via and ... Kansas City Radio , Online Style KC Indie Rock a mix of with Funk, Blues, Jazz, Cool and KCOR. ...
http://knowmercy.org/photos/cache/Burlyman/image/xupcik.html
Open Source " Blog Archive " Latin America's New Socialism
Global Voices Online " Blog Archive " Bolivia: " Latin America's New Socialism" Says: ... Sachs to discuss " Latin America's New Socialism" on Radio Open Source. ...
http://www.radioopensource.org/latin-americas-new-socialism/
MTV TR3s Radio Network
Online Affidavits. Destination Sites. CONTACTS ... Also included are monthly radio tours featuring the most popular Latin stars. ...
http://affiliates.westwoodone.com/music/mtv-tr3s.asp
Latin Forum :: FAQ
How do I prevent my username from appearing in the online Latin forum user listings? ... all your posts by checking the appropriate radio box in your profile. ...
http://latinforum.org/faq.php
Latin Percussion: Latin Fire
Online Videos. LP Player's Jam. Top Player's Setups. Latin Fire ... admonishment is not entirely radio friendly, but the Latin Grammy is still in the offing! ...
http://www.lpmusic.com/Pros_That_Play_LP/CD_Reviews/rebeca.html
Trancing Out with Ombilikal Web Radio - A Review
Internet radio is booming, providing a way for listeners to enjoy just about any genre of music that strikes their fancy or matches their personal tastes. Internet radio would seem to be especially well suited for the high-tech beats associated with today's club and rave scenes.
Indeed, club (or dance) audio streams can be found in abundance on the Web. One of the best sites for sampling and enjoying this "trance-out" music in all its manifestations is Ombilikal.org, home of Ombilikal Radio. Ombilikal Radio broadcasts a steady stream of drum 'n' bass, jungle, electro (or electronica), breakbeat, hip hop, dub, ragga, roots, nujazz and downtempo music.
I'm familiar with some of these genres and subgenres, but others leave me scratching my head. As I definitely need to bring myself up to speed on what's trendy in the clubs these days, I can't think of a better way to do that than listening to Ombilikal.
The Ombilikal Web site has an appropriate industrial look to it. It also offers more than just streaming radio. There are forum areas, news and review sections, an events calendar and more--all of it oriented to club-type music.
One drawback to the Ombilikal Web site--at least for us English speakers--is the fact that its native language is French. Its creators have thoughtfully provided instant-translation buttons so non-French speakers can re-render its pages in English, Spanish, German or Italian. The results, though, are pretty rough. For example, here is the "English" version of an announcement of an upcoming event:
Indeed, has the invitation of the Festival Osheaga, Montreal Eclectique Groove takes possession of a scene external in full heart of the Park Jean Drapeau. Beginning of the afternoon until the tombee of the night, within a framework favourable with the relaxation - between lakes and success of greenery - this go from now on impossible to circumvent invites each one has a weekend rich in musical discoveries.
Oh, well, the main draw of Ombilikal is the audio stream, and for that you don't really need a translation--especially when you can sit or lie back and just let yourself trance out to the insistent electronic beat.
Stefan Smith is a radio and music junkie who writes on these and other subjects for the Solid Gold Info Writers Consortium. Recently, he has written an extensive review of new software that anyone can use to capture music audio streams from Internet radio broadcasts and break them up into individual mp3 song files--a legal way to download virtually free music. Read the review at: http://www.solid-gold.info/radio2mp3.html
irish dance musicEncanto
Customer Review: a review for Brasil '66 fans
It's been around 40 years since Mendes reached an artistic and commercial peak with several classic albums that successfully mixed bossa nova, jazz, and pop music. Those albums still sound fresh today, thanks to the terrific songs, latin rhythms and some sparkling arrangements. Since then, Mendes has experimented with mixing his Brazilian sound with folk rock, funk, dance music, hip hop, and on "Encanto," some r&b. As someone who prefers the work he did with Brasil '66 to anything more recent, to my ears the album is pleasant though generally forgettable with the exception of a few wonderful tracks. Unsurprisingly the best tracks are those with strong melodies by Antonio Carlos Jobim, in particular "Somewhere in the Hills" and "Dreamer," both of which are direct descendants of the sound of Brasil '66. "Dreamer" includes both Herb Alpert and Lani Hall, who sounds remarkably like she did when she was fronting Brasil '66. This is a genuinely stunning track and easily the best on the album. Natalie Cole sings "Somewhere in the Hills" which is appropriately jazzy and is one of Jobim's strongest melodies. Other Jobim tracks include "Waters of March" which Mendes has covered several times in the past. It's a singer's song, and sounds a little rhythmically stiff here, as it has in his previous efforts. "Morning in Rio" is also good, with a more Brazilian styled melody and a nice trombone solo. The rest of the CD is listenable, but not such that I ever want to hear most of it again. "The Look of Love" is an unnecessary remake of a good song. What made the original great was a sensational big band arrangement which has been dropped in favor of a hip hop arrangement. I liked the Brazilian styled funk of "Odo-ya" and the mellow "Catavento" with Mendes' wife on lead vocals. On the other hand, "Funky Bahia" and "Lugar Comum," the latter of which features an Italian rapper doing a little snippet of "Volare," are disposable pop/hip hop songs. If I could get into Mendes' head, I would try to convince him do an album of Jobim and Marcos Valle songs with Herb Alpert and Lani Hall and a small jazz/bossa combo. It might not sell a million copies, but it would be an artistic triumph. If you're an unreconstructed fan of Brasil '66 as I am, I can recommend this with reservations. You might be better off just downloading a handful of tracks. But "Dreamer" should not be missed.
Customer Review: Summery and enchanting.
"Encanto" follows the highly acclaimed 2006 collaboration with will.i.am Timeless and with this latest release, Sergio takes us even deeper into Brazil, having recorded all the basic tracks in Rio and Bahia and finally finishing up in in California, where the studio band included Alphonso Johnson. For "Encanto" (in Spanish for Enchantment), Mendes has also enlisted the formidable and enchantingly diverse talents of an array of guest musicians who hail from the world over. Latin superstar Juanes from Colombia and multi-talented Carlinhos Brown & Vanessa da Mata from Brazil jostle alongside the foremost Japanese pop group Dreams Come True, Belgium's Zap Mama and Italian rapper Jovanotti. This international cast is completed by the American stars Fergie, Siedah Garrett and Herb Alpert who is accompanied by his wife, original Brasil '66 singer, Lani Hall. Old smoothie Mendes gets jiggy on a selection of bossa-favourites with a raft of guest stars including the ubiquitous Will.i.am and Fergie from the Black Eyed Peas, Natalie Cole and Herb Alpert et all... This new album essentially is a cross between Mendes' soft, salsa-tinged melodies and modern day R'n'B. The opening track, "The Look of Love" with rap/vocals by Fergie, is a deliciously moreish funky-fusion, and for the first third or so, the combination of Sergio's Rhodes with the hip-hopped production style is terrific. Perhaps this new version of Burt Bacharach's "The Look Of Love", which Mendes had originally transposed to bossa nova heaven in 1967 is the boldest track on "Encanto". This new interpretation, produced by Black Eyed Peas will.i.am, preserves the alluring melody of the original while bringing the song into the new millennium with crisp drum programming and a sexy rap by Fergie. Then it goes all smooth jazz on you. Not bad, though. Whether you are a Sergio Mendes fan especially the earlier stuff, Brasil 66, Equinox, etc or a Black Eyed Peas fan, or indeed R&B then there's something on this album to please everyone. I'd say for such a challenging album there are only a couple of songs that are just to heavy hip hop for me. The rest is a joy to listen to, if you are open minded about remixes and love to see what Sergio has been up to. This album is a grower. The more I listen to it, the better it gets. You will like it. Picks of the album: "The Look of Love", "Waters Of March", "Dreamer", and "Somewhere In The Hills (O Morro Nao Tem Vez)". Equinox Sergio Mendes & Brasil '66 - Greatest Hits The Very Best of Sergio Mendes & Brazil 66
The martial art of Capoeira was originally created over 400 years ago in Brazil by the African slaves. Unlike other martial arts, capoeira mixes music, dance, acrobatics, and mischievous play into an art form of beauty and finesse. Once recognized, Capoeira showed the world that it is an effective fighting art form. The style is more than a martial art, but also a social event that is rich in tradition and
history. A truly powerful martial art, capoeira resembles a collaboration of dance, fighting, and exotic movements - and even a game.
The first thing one notices when watching Capoeira is the music and weird instruments. Capoeira is played to the sound of a long bow like instrument called the beribau. This along with a tambourine and conga like drum comprise of the rhythm section of the capoeira ensemble. The lyrics, music and tempo all effect the way each capoeira game is played. A capoerista (or player) must know many different songs and rhythms in order to effectively play a good game of Capoeira. When watching the game played, spectators are normally in awe from the movements. The jogo consists of a circle, with the players in the middle and the musicians at the foot of the circle.
Capoeristas begin the game by kneeling at the foot of where the instruments are being played, and then entering the circle with a cartwheel, somersault or other acrobatic move. Once the game has started, the two capoeristas try and trick or confuse their opponent with a combination or feints, kicks and counter attacks. It can take many years to become a master of capoeira, since it requires an almost uncanny sense of space, a flexible body and a calm mind to be able to fully express oneself in a capoeira jogo.
From a defensive position, Capoeira is flashy, imaginative, and also very useful, as the kicks seem to come out of nowhere and can be very hard to defend against. The attacker or opponent has no clue what to expect from the student. The Capoeira student defends himself through the use of dancing movements and acrobatic techniques, executing a fluidity that up until Capoeira were only dreamt of.
The game of Capoeira is really big in Brazil, with thousands of students learning the martial art. It isnt one of the most popular in the United States, although it is offered. In South America it is more prevalent, with jogo games being played in the streets. Many martial arts students dont want to learn Capoeira for the simple fact that the movements can be a bit of a risk. Once you see how the style is performed, it can make you jump out of your seat.
Over the last couple of decades, the art has grown a lot. In 1974, the art of Capoeira became the national sport of Brazil, proving that just about everyone in Brazil had accepted it. As time continues to pass, you can count on more and more competitions and capoeira studios to surface - introducing this truly excellent martial art to newer generations.
J.J. Richards is the co-owner of http://www.capoeiracapoeira.com Visit CapoeiraCapoeira.com for Capoeira moves and Capoeira Music.
dance music cdColdplay (Group, B&W, Original) Music Poster Print - 24" X 36"
Edu_Rss
Ed Radio & Letting machines do it Stephen doesn't sleep, now get your audio ... Premios del Ministerio de Educacin de Espaa para materiales de e-learning El ...
http://www.downes.ca/archive/04/06_10_Edu_RSS.htm
Searchresults costa s
teenage radio . Relevance: 5.46% release date: 12.03.2008 ... 12" France. Hip Hop . UNI9846726. costars mix. temperature mix. moto blanco club mix. STATUS: ...
http://shop.vinyl-distribution.com/go/searchresults~~~+costa+++s+.html
INTERNET RADIO : free internet radio station | com en internet language ...
... live radio - de estaciones internet por radio - b internet r radio - haiti ... recorder - gospel internet radio station - hip hop internet radio station - aol ...
http://digilander.libero.it/flatinterneta/internet_radio.html
Boyz II Men Lyrics
Songs. 4 Estaciones De Soledad. 4 Seasons of Loneliness. 50 Candles. A Joyous Song. A Mi Me Va Bien ... Hard To Say Goodbye Radio / Acapella Edit. It's So Hard ...
http://www.lyricshead.com/songs/boyz-ii-men-lyrics.html
Ramiro Burr's New Blog - to go back: www.ramiroburr.com: May 2008 Archives
Sonny Melendrez, local radio celebrity and professional speaker, will be the ... Also hip - hop /rap artists including Street Royalty, Kyle Lee, Lost City ...
http://www.ramiroburr.com/ramiros_blog/2008/05/
Patritico Msicos
... cuenta a s mismo como uno de los ms hip - hop miembros del Partido Republicano. ... y en la Red de Radio de las Fuerzas Armadas. Linda Davis Linda Davis ...
http://www.hollywoodpolitics.us/lang/es/musicians.shtml
Play.com (UK) : Astor Piazzolla - 4 Saisons De Buenos Aires : CD - Free ...
Hip Hop /Rap. Indie. Jazz. Metal. New Age. Reggae. Rock & Pop. Soul/R'n'B. Soundtracks ... Las 4 estaciones Portenas: Primavera Portena (Astor Piazzolla) ...
http://www.play.com/Music/CD/4-/2387499/-/Product.html?cur=257
Fruxants's collective blog - Archives for: April 2006
... CIRT bloquear reforma paralela a ley de radio y televisin ... such as Wyclef Jean, hip - hop star Pitbull and Puerto Rican singers Carlos Ponce and Olga Tanon. ...
http://blogs.fruxant.com/index.php/all/2006/04/
DownThisVideo! - Download videos from YouTube, GoogleVideo, Metacafe ...
... un presidente saca del aire a 4 estaciones en virtud de que estas informen en ... champ, classic, cmt, deadly, e-a-ski, hip , hop , it, keep, mc, on, pete, rap, ...
http://downthisvideo.com/tag/cmt
curriculum.dpsk12.org/text_ordering_files/Literacy/Library_ECE-8.xls
1402200374/The Spoken Word Revolution:Slam, Hip - Hop , & the*Smith, Marc Kelly ... 0440219779*The Voice on the Radio . 0531157652. The Wampanoag*Doherty, Katherine M. ...
http://curriculum.dpsk12.org/text_ordering_files/Literacy/Library_ECE-8.xls
Coldplay - X&Y Faces T-Shirt
Because there are MIDI guitars! And there are MIDI interface attachments for regular guitars.
You can make totally new sounds, change your existing sounds, or add instrumentation
you never thought possible before!
So let me give you the rundown!
Historically the Musicical Instrument Digital Interface, or MIDI, got started with MIDI keyboards.
Although there were researchers and hobbiests experiementing with other MIDI devices including guitars,
it was predominantly a keyboard world.
If you used a keyboard standalone (or without a PC), the MIDI keyboard MIDI out would be connected to the MIDI in of a sound module or other keyboard. The keyboard could then be used to play
multiple sound modules at the same time.
If you used a MIDI keyboard with your PC, a MIDI keyboard MIDI out would be connected to your PC's MIDI in. The PC's MIDI out would be connected to the keyboard's MIDI in. When you press a key on the MIDI keyboard the MIDI note number and velocity (how hard you hit the key) is transmitted over the MIDI. This is somewhat like an old piano-roll piano. If you've ever examined one, you know the holes in the roll let a pin slip through as the paper rolls by (with the speed that the roll is turning controlling the tempo). And the pin corresponds to the piano key that will be hit at a particular time (relative to the start of the roll). MIDI data is like this except it also includes some dynamics (i.e. how hard the key was hit). When the keyboard is operated "standalone", normally the MIDI out just loops back to the MIDI in. This is done internally so you don't need to put a MIDI cable in. Most MIDI keyboards let you turn off this automatic loopback when you're working with a PC so that you don't get double notes from the keyboard and from the PC echoing it back. It's as if the keyboard and sounds are two separate pieces. There's an assumption here. The PC must have some software directing the MIDI connectors on the PC for this to happen. That software is usually a MIDI sequencer which functions almost like a multi-track analog recorder. With the MIDI sequencer running, you start the record function and the sequencer program will store all the MIDI notes it receives into memory (and let you file them to disk later into a MIDI file). The recorded MIDI file can be examined with a graph showing the notes (and it looks almost exactly like a piano-roll). Most sequencer software is smart enough to display (and print) in standard musical notation as well. Cool!
There are a couple more wrinkles, but good ones. In addition to MIDI note number and velocity, there's a channel associated with MIDI transmissions. MIDI allow up to 16 different channels over the cable "simultaneously" (in quotes because I'm fibbing a little). Just like the cable TV coming into your house has 50 or 500 channels at the same time you can set a MIDI device to send or receive on a specific channel and it will only send or respond to notes for its channel. But you may have a TV with a preview capability that shows a whole bunch of TV channels at once so you can surf channels. Well some MIDI devices are like this. Actually most MIDI devices are like that these days. They can handle multiple channels at one time. Which is to say the MIDI device can "play" multiple instruments at the same time by being able to listen to multiple MIDI channels and play the notes for which each instrument is assigned. This assignment can be done on the MIDI device's panel or sometimes by using a computer program running on the PC. This way you can have a whole band in one keyboard -- piano, bass, percussion, vibes, flute, etc. As a general rule, as the number of instruments and/or simultaneous notes the keyboard can play increases, so does the price! And some MIDI keyboards have the squencer built in so you don't even need the PC.
There are lots of freeware, shareware, and open-source MIDI sequencers out there, so just query your favorite search engine.
There are MIDI guitars, and MIDI interface attachments for regular guitars.
You can play your guitar and have it sound like a flute, or trumpet, or
a string section, or depending on the synthesizer or synthesizers you use,
it can sound like a flute AND a trumpet AND a string section AT THE SAME TIME!
For backing or solo work, your universe of sounds expands.
It opens a whole new world of music making for you!
Mike Furlong
I like to play guitar, talk about guitars, and collect them. So many guitars, so little money!
Check out
Electric Guitar Advisor
or my blog Electric Guitar Advisor Blog
T-Shirt Black " Latin Rap Equalizer " Music
People dance for different reasons: for competition, to keep fit, meet new people, or simply to have a little fun. It's even become a way of visiting new countries, as shown by the growing popularity of dance holidays in Cuba, Brazil, Italy, Spain, Egypt and many other countries. But, whether they like to admit it or not, most people would in some way agree with the definition of dancing as "a vertical expression of a horizontal desire."
Let's face it, out of the list that I started with, all except the first have probably got some link to feeling sexy or meeting people to feel sexy with, and nowhere is this more apparent than in Cuba. Salsa, Mambo, Rumba, and Cha Cha Cha are some of the islands most prominent styles of dance, and each one is intimate, flirtatious and an important part of traditional courtship rituals in Cuba. Salsa may be the most well known of the island's dances, but is it the sexiest?
History of Dance in Cuba
For any visitor on holiday in Cuba, dance is inescapable. It is part of the culture, rooted in its mixed Spanish and African heritage. Most forms of dance in Cuba have evolved from Rumba, also know as Son. This older style came to Cuba in the 19th century, and ranges from the slow and formal Rumba Yambu to the fast and overtly sexual Rumba Guaguanco.The more modern styles of Mambo, Salsa and Cha Cha Cha were all born in the aftermath of the Communist revolution in the 1950s. It was a revolution in Cuba's dance halls as well as its politics, with the excitement of change fuelling passionate and inventive new forms of dance. Due to their common roots, many of the styles have similarities, such as the distinctive Latin hip movement and close footwork. Salsa and Mambo are based on a "quick-quick-slow" rhythm, while the Cha Cha Cha has a quick three step in place of the slow step.
Learning the moves
Whether you are drawn to Mambo or Cha Cha Cha, Rumba or Salsa, a dance holiday in Cuba can provide the best introduction to your style of choice. The capital, Havana, features the best clubs for Salsa in Cuba, while the northern city of Matanzas was one of the birthplaces of Rumba. A dance holiday in Cuba certainly isn't the only way of learning your first Cuban dance moves, and it can certainly help to have a handle on the basics before splashing out on a trip abroad. But a taste of Latin American culture can be vital to really get into these dances, and a holiday in Cuba, Salsa oriented or otherwise, can only help you get into the swing of things.
Dirty Dancing
When it comes to judging which of the Cuban dance styles is the sexiest I have to admit to a certain bias; I fell in love with the Salsa dance on holiday in Cuba a long time ago. The island has shared its popular coffee, cigars and rum with the world, but when it comes to rating the finest export of Cuba, the Salsa dance should rank high on anyone's list. It's now evolved into many different styles and is practised by millions of amateurs and experts around the world, but the Salsa in Cuba remains the original and best.
Part of the appeal of the Cuban Salsa dance is its accessibility. Basic Salsa dancing is easy to learn, much more so than some of the other styles of dance in Cuba. Salsa is as tough a dance to master as any, but you can pick up the basic three step within a very short space of time; once you've got that, you're ready to go. You won't be winning competitions, but you'll be good enough to have fun and feel good on the dance floor.
Sexier than Son and more intimate than the Cha Cha Cha, it may not be the most beautiful or complicated dance in the world, but for me at least, Salsa in Cuba is still the sexiest dance of them all.
Emma Lelliott is the general manager of Captivating Cuba, an independent Cuba holiday specialist. With offices in Havana and the UK, Captivating Cuba can offer Cuban dance holidays holidays to Havana as well as expert advice on holidays to Varadero and Cayo Coco and lesser known resorts such as Jibacoa and Trinidad.
dj latin musicColdplay (A Rush of Blood to the Head, Group) Music Poster Print - 24" X 36"
My sagging sock feet slip on the waxy buffed linoleum as I awkwardly shuffle my way past a gaggle of giggling girls in baby pink tutus. I'm wearing my yoga clothes, which have sadly not seen a yoga mat in two years, and my long mane of hair is reluctantly tied back in a girlie ponytail.
I feel ridiculous. I'm a thirty-year-old woman enrolled in a ballet class with teenage girls.
The seven-year-olds clear out and any moment now I'll be greeted by perfectly straight white smiles perched on top of perfectly young, toned bodies in lululemon spandex. Slouching in my slouch socks I catch my nervous reflection in the enormous wall of mirrors glaring back at me. Socks are not the only things that are sagging in this gal; my body has seen nine long months of pregnancy, two years of nursing and a several years skipping the morning make-up routine to chase after an active son.
I came here today to begin something I yearned to do almost twenty years ago.
I grew up the oldest child of a single mother who struggled to put food on the table. My best friend's family was well-off and put their children through whatever after school activities and summer camps their hearts desired. Among riding lessons, piano lessons, flute ensemble and painting class, Meghan excelled in ballet and violin.
She played beginning Suzuki "Twinkle Twinkle" variations and tears of yearning welled up in my eyes. She performed simple dance routines on the glossy hardwood floor of her living room set to orchestral music on the hi-fi and I applauded her every move. Sometimes she allowed me to wear her old ballet slippers and a flowing black skirt as I mimicked her clumsily.
A passionate fan of classical music since birth [and a typical pre-teen girl], I became enamoured with both violin and ballet and begged my mother to send me to classes. Sadly finances forbade it completely and I was relegated to the audience to watch and admire Meghan.
When I was twelve my mother was seriously injured at the shipyard where she painted oil tankers. She received a very modest cash settlement to take care of the doctor's bills and time off work. In her first position to pay for a class, my mother said I could take up one activity: ballet classes for a year or the purchase of a violin.
Ballet or violin? My maturity and insight in the decision took my mother by surprise. I chose violin knowing I could play violin for a lifetime as opposed to the very short careers of performing ballerinas. One thousand dollars of my mother's pain money funded my first violin, a Karl Knilling German factory fiddle made in 1989.
We certainly couldn't afford private lessons but that didn't stop me living and breathing violin. I took the city bus downtown and brought home as many sheet music scores and audio tapes as the public library would allow. We moved so I could attend school where orchestra was offered. Practicing three to five hours a day, I quickly advanced to the concertmaster position and soon started ensembles of my own.
Music college and several orchestras later I find myself married with a child and the owner of a violin business. Life had zoomed past and I never again looked back on my desire to dance ballet.
It was New Year's Eve at Grandma's house and my six-year-old son was doing his usual dance after supper routine, this time heightened by the vast quantities of Christmas candy he had consumed. On a whim I put on the John Travolta film "Staying Alive," thinking my son would appreciate the modern dance sequences and I'd enjoy a jaunt down memory lane with the classic flick.
The movie rocked Ryan's world. He was copying the moves with amazing accuracy, the spins and leaps and beaming ear to ear. The dancing he saw on the screen illuminated a whole new level of appreciation for dance and confirmed a fervent desire in his heart to dance.
My mother watched with adoration and I felt a deep pride: I'd helped him find something he loved. Heck, anyone could enroll their kids in a hundred activities, but it's far more meaningful when it's something their heart aches for. I'd even go as far to say that when you get something too easily it's not as sacred. I'd been waiting for this moment to come and was more than willing to support him in it.
A week later Ryan was enrolled in the winter semester of ballet for 6 year olds. He was the only boy in the class, but that didn't faze him. Surrounded by pink flowing fairies my child looked like a ninja in his black sweats and dragon T-shirt. He started late in the year but was keeping up well and particularly enjoying the theatrics of the class.
For four weeks I peeked through the doors of the waiting room and watched Ryan's class alone while other parents ran errands with the spare 45 minutes. One session I was, as usual, copying the class' movements from behind the door when another parent asked, "you're a dancer too?"
It hit me like a load of ballet shoes. "Me, a dancer?" I thought. It had never occurred to me to take up dance as an adult. "Why the heck not," I told myself. "I just turned thirty years old, dammit, and I can take ballet classes if I want to!"
So here I am in the Shuswap Dance ballet studio waiting to make an ass of myself. My inner twelve-year-old got me here, but the sensible 30-year-old thinks I'm nuts. "Should I run now and spare myself the embarrassment?"
My classmates enter the room. Normal looking teenage girls in sweats and T-shirts, no makeup, no perfect figures. Not the prima pink ballerinas I expected. Just some young ladies who want to learn to dance. (Phew, I won't need to buy anything pink!)
Our instructor, Carolyn Wonacott, starts us out skipping around the room... backwards. I'm tripping on myself and getting in everyone's way: making a complete ass of myself as expected. But I' laughing and having the time of my life. Carolyn blasts Michael Jackson's "Billy Jean" as we practice twirling around the room, dizzy and giddy.
My muscles are protesting from the sudden activity as if to say, "what did we do to you to deserve this sudden onslaught of torture?" The plis (I'm sure which literally translates to "pain in le ass") are killer, but they make me feel like a graceful dancer so I forge on. I know I'll feel this tomorrow but continue to bend deeper into the stretch.
"I'm a dancer," I snicker.
I learn that my class performs more than just ballet. We work on a jazzy swing number and next break into a chirpy hip-hop number by, er, Brittney who? I'm an old matron who listens to CBC news radio; completely out of touch with 21st Century pop culture. The girls fill me in on the singer's recent head shaving and suspected drug addiction and we move on. I try my best to copy their moves and fail miserably to keep up but know I'll get it eventually.
The class ends and I head upstairs to buy my first set of dancing shoes. I'm tired, far more tired than I'd expected I'd be, but I feel a warm glow in my bones as I slip on various slippers and shoes. I settle on a cozy pair of jazz shoes and receive encouragement from Carolyn. We both know I'll never dance with the Royal Ballet and may not make it on to pointe shoes. I don't mind. I'm just fulfilling a promise to myself and it feels great.
I wear the shoes all the time, eagerly awaiting the next class. I lace up my adorable little black shoes and stretch my toes into the lovely pointe shape I've admired for so many years. A feeling of pride and accomplishment washes over me.
I have learned that I can do anything I set my mind to. This was a gift that my mother passed on to me: the gift of learning to really want something and having the desire and tenacity to make it happen.
And this time around I'll have my handsome son as a dance partner.
**Rhiannon Schmitt (nee Nachbaur) is an award-winning classical violinist/fiddler and music teacher operates Fiddleheads Violin School & Shop. She shop has also won several distinguished business awards and offers beginner to professional level instruments, accessories and supplies with exceptional personal service: http://www.fiddleheads.ca
top dance musicColdplay 8X10 Framed And Matted Color Photo
I'm sure you've seen the ads: Schoenhut, Dexter, Fisher-Price. These are all brands of toy pianos that are marketed to parents of toddlers.
Many parents are attracted to them because of their look and their size, saying to themselves, "Oh, that would be perfect for my child. It's so cute!"
But have you ever tried a toy piano? While they may be cute and fulfill a need for a certain kind of toy and nursery furniture, they may leave much to be desired in terms sound and providing an instrument for musical development.
Let's see if the advantages of toy pianos outweigh the liabilities.
I've taught children who had toy pianos at first, and there is never any damage done, far from it, if a child plays a toy piano. I think they enjoy it simply because it makes pretty sounds. Anything that interests them in music and piano is good for their intellectual development.
But that is not our point today, but rather to see if there may be an alternative for toddlers that works better in providing a musical instrument adequate for musical development.
First let us enumerate the advantages of toy pianos:
1. They are attractive and this alone may interest the child in music.
2. They are inexpensive and portable
3. They have a standard keyboard setup with groups of two and three black keys.
4. They are mechanical devices, so you don't have to worry about electrical connections, outlets and safety issues.
5. The younger your child, the more appropriate a toy piano may be.
The only real alternative besides a real piano is the electronic music keyboard, such as the inexpensive Casio brands you see for around $99. You see them at Circuit City and electronic appliance outlets as such as that.
Here is a comparison of an electronic keyboard versus a toy piano:
1. Children's electronic music keyboards have real width keys, inch wide, while toy pianos often have "mini" keys to accommodate their tiny hands. It may be better to have the child get used to what real piano keys are like. On the other hand, anything that attracts your child to touch a musical keyboard is a good thing, correct width keys or not.
2. Electronic keyboards make a wide variety of sounds besides the standard piano sound of a toy piano. This may attract your toddler, or may confuse them. More sounds are available on a small keyboard but not usually on a toy piano, although undoubtedly there are products out there called "toy pianos" which make sounds in addition to something piano-like.
3. Toy pianos produce a sound made on what are usually small bell-like surfaces called "tines." It sounds more like chimes than a piano. An electronic keyboard's piano sound is usually very faithful to a real piano sound.
4. Electronic keyboards must be used with batteries to get around the safety issues of outlets, power cables and connections. Toy pianos usually are mechanical devices that require no power, and therefore have the advantage of safety and convenience.
Whatever choice you make, a toy piano can be a great introduction to music, which will eventually produce many benefits such as increased math scores and better handwriting.
Better to get a toy piano at first and then upgrade than not get started at all. Music skills develop at a very young age.
By John Aschenbrenner Copyright 2000 Walden Pond Press. Visit http://www.pianoiseasy.com to see the fun PIANO BY NUMBER method for kids.
John Aschenbrenner is a leading children's music educator and book publisher, and the author of numerous piano method books in the series PIANO BY NUMBER.
dance music charts