Complices

Luis Miguel returns in 2008 hotter than ever with his long awaited studio album, Complices. This sensational worldwide music artist has released 23 albums and sold over 52 million albums in his career. Internationaly known for his romantic ballads, crooning vocals, and chart topping hits, Luis Miguel has sold out shows around the world. Manuel Alejandro has joined in the production of Complices bringing even more star power to this this album.
Customer Review: A good album destroyed by three songs
The album Should have not included the three songs mentioned in the previous review. These songs cut the flow of the mood, they are faster and over produced. I can't believe Luis Miguel is still singing those poppy cheesy styled songs he used to sing in the eighties. It is a shame to ruin such a great line up of songs with three songs that should have been sung by Tom Jones. I believe an album that consists mostly of ballads should include mid tempo, sexy, groovy songs to break the monotony, not cheesy poppy disco songs with choruses that will make your woman jump out of your bed and attach herself to the ceiling like a freaked-out tarantula. Luis Miguel should sing ballads,R&B,soul,Jazz,even sexy chilled-out house, but leave those songs for Tom Jones, he is the king of that style.
Customer Review: Now the marvel of Complices.
This disk is for the sensitive people and the people that understand music. It's not a contemporary radioplay. Luis Miguel interprets beatifully every song. Passion and provocative poetry are in each song of the disc. Luis Miguel and Manuel Alejandro created a great joy for those who know about music.

Have you ever gone into an audition and thought to yourself I should have come in better prepared? Every teen I know, who is involved in auditioning for theater, has voiced this to me over the years. There are some very simple procedures that will allow you to come out of every audition feeling as if you have done your best. From my experience, this is all an actor can expect of his or herself. It should be the focus of any audition you attend. Here are the ten things to keep in mind for that feel good experience after each audition. Make them a habit. Follow them each time and you will feel like a winner, whether or not you get the part.

• Become familiar and learn a much as possible about the audition requirements before going to the audition, then practice, practice, practice.
• Choose age appropriate monologues and audition songs, if required.
• Make eye contact and greet the panel warmly as soon as you enter the audition room.
• Smile, relax and be yourself.
• If you are singing, go directly to the accompanist with your clearly marked music and if you need to instruct them as to the tempo, sing a few bars softly...do not snap your fingers.
• Introduce yourself and the material you will be performing in a confident, clear voice.
• Memorize the names of the composers or playwrights who authored your selections.
• Pause in between pieces, but practice before hand to stay within the allotted amount of time, if there is one.
• Be sure to understand the play from which a monologue or song is chosen in the event the director asks you questions about the show.
• Thank the panel when you finish your pieces, smile and pause briefly for any additional instructions from them, but do not linger in the room.

Keep in mind that every audition, in reality, is a job interview and that you are being observed from the minute you walk into the audition room. Take the opportunity each time to demonstrate not only your talent, but your personal characteristics. Let your personality shine through, and remember that the casting director and audition panel are not there to judge you harshly. They are there to do their job, which is to cast a show to the best of their ability. Learn to take auditioning in stride, as this is part of an actors life. If you decide to work professionally, it is something you will be experiencing for a long, long time. Take it seriously, but have some fun, too. Break a leg!

Beverly Stone has volunteered with a performing arts kids group for the past ten years. During this time she has worked in various capacities on the production of many shows but her main job has been to facilitate the training of the group's members. Many of these kids have gone on to become professionals, several of them are currently on Broadway. She recently decided to bring her knowledge online and created a Website and Blog which serves as a guide for kids and teens interested in singing, dancing and acting. She is dedicated to young people who are interested in training to work in professional theater by becoming "triple threats". http://www.musical-theater-kids.com

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