Rosetta Stone V3: Spanish (Latin America), Level 1, 2 & 3

Why is Rosetta Stone the world's No. 1 language-learning software? Because it works.

Escape the endless tedium of translation, memorization, and grammar drills. Get the language you want, the skills you need and the success you deserve by learning a new language naturally--the same way you learned your first language.

You learned your first language without translation.
You learned your first language easily and naturally by connecting words to objects and events around you. With Rosetta Stone, learn a new language the same way: using native speakers and thousands of real-life images to help you think in the new language from the very beginning. Studies show that learning exclusively in the new language, without translation as a crutch, is crucial.

The exclusive Dynamic Immersion method reinforces your natural language-learning skills with award-winning instructional technology. Identify your learning goals, then choose customized courses that take you there.

	The complete immersion environment puts your native language-learning skills to work, eliminating your dependence on tedious translation and rote memorization.

	Images		Intuition
	In Rosetta Stone you learn the meaning of new language from clear, real-life images. In this activity you learn colors.		You advance using language you've learned and clues from new images. That's your intuition at work. Now that you know colors, you can easily grasp the meaning of the new words...
	Interactivity		Instruction
	Throughout Rosetta Stone, you constantly interact with the program to confirm your intuition. ...and then check what you've learned.		From beginning to end you build systematically toward your language-learning goals, for the most effective and enjoyable instruction anywhere. And finally, you get the fun of trying your new language in a real-life simulation. Speech recognition shows you exactly how you're doing.

The timeless immersion method, along with research-based techniques and new technologies, make Rosetta Stone the clear solution to your language-learning needs.

What will you be able to do?

Understand everyday language.
Through Rosetta Stone's proficiency-based listening and reading activities, you'll learn quickly.

Pronounce words correctly.
After practicing with Rosetta Stone's speech recognition and analysis tools, pronunciation will come easily.

Speak without a script.
Contextual Formation makes sure you have the confidence and cues you need to get the words out on the spot.

Spell and write accurately.
You'll build gradually from letters to words and sentences.

Engage in real-life conversations.
With Milestone activities, gain confidence using speech alone in simulated situations.

Retain what you learn.
The unique Adaptive Recall reinforces language so it sticks with you in the real world.
Customer Review: Rosetta Stone V3-Spanish (Latin America) Level 1,2,3
I purchased this for my college-aged daughter so that she could become proficient in Spanish. This has given her the practice she needs that the classroom (high school) did not.
Customer Review: Great Addition to School Learned Spanish
I took 17 hours of Spanish during my undergraduate degree, but could not speak Spanish. I could read Spanish, but I could not understand it when spoken. Rosetta Stone takes a different approach to teaching Spanish than my university. It has made understanding and speaking Spanish within my reach. I had a strong vocabulary base, but Rosetta Stone has helped me to be able to speak and use this vocabulary in everyday conversation. This is a great complement to any Spanish curriculum. It is a wonderful option for those who couldn't learn Spanish "the old fashion way."

Choosing the right music is always a challenge for skaters and their coaches and choreographers. What suits one skater or pair or dance team may not suit another. It's a constant challenge figure skaters have -- picking music that fits their style, however also selecting something that the judges will like as well. Another challenge that exists in choosing a piece of music is that it fits the time constraints of a program and that technical elements can be performed to it. Figure skating music needs to incorporate quick beats, slow parts and some breathing time. The new judging system, with its intricate scoring, makes it even more difficult to fit skating to the music.

How often do you hear the first beats of music to a skating program and groan? Not "Carmen" again or, no more "Swan Lake. There should be a rule, that once a skater earns a title with a piece of music, that it shouldn't be played again for at least a couple of seasons. With that rule in place, we would not be subjected to hearing "Swan Lake" or "Carmen" or "Romeo and Juliet ever again; or at least for a while. New music can be exiting, but skaters, might find it to be a bit of a risk. It is understood if a skater doesn't want to take that risk, however skaters Should then go all out in their exhibitions and do something exciting.

There should be some middle ground between choosing an overdone piece of music and something totally unheard. I don't think skaters have to necessarily summarily dismiss music that has been used in the past, I just think they should think carefully before taking up something that's done over and over by multiple skaters unless they have a totally fresh idea for it.

Here is a list of music that should not be played anytime soon in a skating rink near you.

"Carmen"

This is a classic skating piece because it naturally gets the crowd involved.

"Bolero"

Kwan did a great number with that one. She is talented, it is expected.

"Swan Lake"

It's been so overdone that Rudy Galindo performed both his short and long programs to this piece in 1996 Others have used it as well including: Baiul in 1994, Nancy Kerrigan, Shizuka Arakawa 2004, and Sasha Cohen even tried her hand with this one.

"Romeo and Juliet"

Who hasn't tried this music? In the 2006 Olympics a commentator said that the difference between Sasha and other skaters is that they skate to Romeo and Juliet and Sasha becomes Juliet.

"West Side Story"

Great music, however, absolutely everything, from "Maria" to "America," has been played one too many times.

"Malaguena"

This is a great Spanish guitar piece, but should not be used unless the skater can truly keep up with the tempo and offer absolutely great footwork.

"Nessun Dorma"

Again, beautiful music, from Puccini's "Turandot," but nonetheless, overdone by everyone from Sarah Hughes to Brian Boitano. It did not bode well with Meissner this season (2007/2008) This piece should be put to rest.

Some others:

The Feeling Begins

On the Waterfront

Swan Lake

Rachmaninov 2

Paint It Black

Moonlight Sonata

Zorba the Greek

Concerta for Coloratura.

And, there are pieces of music which have been overused at one time but are no longer overused--or used at all. The bell suite and love theme from Ice Castles was too popular in 1979-80, but might be a nostalgic piece now. There is also the option to use a lesser used bit of the score, as Kwan did with Carmen. The Rondo from the Moonlight Sonata isn't overused however. Look beyond the easily overused classics and the currently popular theme.

The Moonlight Sonata , Swanlake, and, any Tchaikovsky piece should take a back seat. Choose something different. The point is, people need to get original with their music. Debby Thomas of USA and Katarina Witt of Germany both skated to Carmen. They were known as the "Battle of the Carmen from the 1988 Winter Games. Carmen, swan lake, anything Beethoven, and Pirates of the Carribean are totally overused! The objective should be, to always look for more fun music. I think the judges would appreciate newly, exciting music.

There's some risk in choosing a classical piece of music. It will still have that edge of familiarity that will make the judges comfortable. But in choosing a classical piece that hasn't been used by numerous skaters before, you leave yourself more open to originality. There are pieces that aren't used as frequently in the skating world that would in no way be new to most of the judges.

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